Commission for JD
This archival, hand-sewn journal/sketchbook is made from 100 gsm, custard Hahnemühle Ingres mouldmade paper from Germany, sewn with Irish linen thread in the linked stitch pattern that dates back at least to the Ancient Copts. It allows the book to lay open easily to any page.
This book’s endbands are navy and gold silk, and its bookmark is blue goatskin. Its spine is covered blue goatskin from Rocky Mountain Leather Supply in Utah, and its boards are wrapped in paper that was hand-marbled by Betty Caponi in Monte San Giusto, Italy.
Treasure binding began with monks in the 6th Century who would encrust volumes with jewels. During the Renaissance, there was a resurgence in treasure binding. This is a contemporary revival of the treasure binding in which a lucky charm has been embedded in the cover of this book.
The talisman in this book is an early 20th Century medal from a French art school. “Every time I have had a problem, I have confronted it with the ax of art.”—Yayoi Kusama.
This book is approximately 6.5 x 10” with a few more than 150 blank pages.
This archival, hand-sewn journal/sketchbook is made from 100 gsm, custard Hahnemühle Ingres mouldmade paper from Germany, sewn with Irish linen thread in the linked stitch pattern that dates back at least to the Ancient Copts. It allows the book to lay open easily to any page.
This book’s endbands are navy and gold silk, and its bookmark is blue goatskin. Its spine is covered blue goatskin from Rocky Mountain Leather Supply in Utah, and its boards are wrapped in paper that was hand-marbled by Betty Caponi in Monte San Giusto, Italy.
Treasure binding began with monks in the 6th Century who would encrust volumes with jewels. During the Renaissance, there was a resurgence in treasure binding. This is a contemporary revival of the treasure binding in which a lucky charm has been embedded in the cover of this book.
The talisman in this book is an early 20th Century medal from a French art school. “Every time I have had a problem, I have confronted it with the ax of art.”—Yayoi Kusama.
This book is approximately 6.5 x 10” with a few more than 150 blank pages.
This archival, hand-sewn journal/sketchbook is made from 100 gsm, custard Hahnemühle Ingres mouldmade paper from Germany, sewn with Irish linen thread in the linked stitch pattern that dates back at least to the Ancient Copts. It allows the book to lay open easily to any page.
This book’s endbands are navy and gold silk, and its bookmark is blue goatskin. Its spine is covered blue goatskin from Rocky Mountain Leather Supply in Utah, and its boards are wrapped in paper that was hand-marbled by Betty Caponi in Monte San Giusto, Italy.
Treasure binding began with monks in the 6th Century who would encrust volumes with jewels. During the Renaissance, there was a resurgence in treasure binding. This is a contemporary revival of the treasure binding in which a lucky charm has been embedded in the cover of this book.
The talisman in this book is an early 20th Century medal from a French art school. “Every time I have had a problem, I have confronted it with the ax of art.”—Yayoi Kusama.
This book is approximately 6.5 x 10” with a few more than 150 blank pages.