Fire
This archival, hand-sewn journal/sketchbook is made from 100 gsm, rose Hahnemühle Ingres mouldmade paper from Germany, sewn with Irish linen thread in the linked stitch pattern that dates back at least to the Ancient Copts. It allows the book to lay open easily to any page.
This book’s endbands are red and yellow cotton, and its bookmark is red grosgrain ribbon. Its spine is covered in Dubletta cloth from the Netherlands, and its boards are wrapped in paper that was hand-marbled by Betty Caponi in San Monte Giusto, Italy.
Treasure binding began with monks in the 6th Century who would encrust volumes with jewels. During the Renaissance, there was a resurgence in treasure binding. This is a contemporary revival of the treasure binding in which a lucky charm has been embedded in the cover of this book.
The talisman in this book is a fused glass ornament by fellow Indiana Artisan Liz Perr-McColm at My Glass Fix. Burn brightly. Anneal.
This book is roughly 6.5 x 10” with more than 150 blank pages.
This archival, hand-sewn journal/sketchbook is made from 100 gsm, rose Hahnemühle Ingres mouldmade paper from Germany, sewn with Irish linen thread in the linked stitch pattern that dates back at least to the Ancient Copts. It allows the book to lay open easily to any page.
This book’s endbands are red and yellow cotton, and its bookmark is red grosgrain ribbon. Its spine is covered in Dubletta cloth from the Netherlands, and its boards are wrapped in paper that was hand-marbled by Betty Caponi in San Monte Giusto, Italy.
Treasure binding began with monks in the 6th Century who would encrust volumes with jewels. During the Renaissance, there was a resurgence in treasure binding. This is a contemporary revival of the treasure binding in which a lucky charm has been embedded in the cover of this book.
The talisman in this book is a fused glass ornament by fellow Indiana Artisan Liz Perr-McColm at My Glass Fix. Burn brightly. Anneal.
This book is roughly 6.5 x 10” with more than 150 blank pages.
This archival, hand-sewn journal/sketchbook is made from 100 gsm, rose Hahnemühle Ingres mouldmade paper from Germany, sewn with Irish linen thread in the linked stitch pattern that dates back at least to the Ancient Copts. It allows the book to lay open easily to any page.
This book’s endbands are red and yellow cotton, and its bookmark is red grosgrain ribbon. Its spine is covered in Dubletta cloth from the Netherlands, and its boards are wrapped in paper that was hand-marbled by Betty Caponi in San Monte Giusto, Italy.
Treasure binding began with monks in the 6th Century who would encrust volumes with jewels. During the Renaissance, there was a resurgence in treasure binding. This is a contemporary revival of the treasure binding in which a lucky charm has been embedded in the cover of this book.
The talisman in this book is a fused glass ornament by fellow Indiana Artisan Liz Perr-McColm at My Glass Fix. Burn brightly. Anneal.
This book is roughly 6.5 x 10” with more than 150 blank pages.